Friday, October 18, 2013

TV Premiere Week's DVR Winners and Losers




This story first appeared in the Oct. 25 issue of The Hollywood Reporter magazine.


Advertisers still might be buying network time based on Nielsen's live-plus-3-day ratings, but the Big Four are pushing a full week's worth of DVR viewing more than ever with the arrival of 2013 premiere week's live-plus-7 returns. And for good reason. The latest numbers show all broadcast nets are even with or better than last season's premiere week thanks to increases in time-shifted viewing. Fox and CBS, both down in initial returns, are in the black with NBC and ABC, while early successes Sleepy Hollow, Agents of SHIELD and The Blacklist assert their status as formidable newbies and CBS' The Big Bang Theory surges past Sunday Night Football for demo dominance.


PHOTOS: 81 of Fall TV's Biggest Stars: THR's Exclusive Portraits


WINNERS


The Big Bang Theory (CBS)


Premiere episode up 41 percent to an 8.6 in 18-to-49 -- a series high and better than Sunday Night Football.


Agents of SHIELD (ABC)


Biggest premiere of the season jumps another 49 percent to a 7.0 adults 18-to-49 rating.


Sleepy Hollow (Fox)


Up 71 percent to a 5.3 rating in the second episode.


STORY: 'Sleepy Hollow' Is DVR's Most Improved, While 'SHIELD' and 'Big Bang Theory' Top Premieres


Elementary (CBS)


Up 67 percent to a 3.5 rating.


New Girl (Fox)


Up 62 percent to a 3.4 rating.


The Blacklist (NBC)


Up 45 percent to a 5.5 rating.


STORY: TV Ratings: 'Voice' Tops Monday as 'Castle,' 'Dancing' and '2 Broke Girls' All Improve


LOSERS


Back in the Game (ABC)


Rises only 14 percent to a 2.5 rating.


Bob's Burgers (Fox)


Up only 13 percent to a 2.5 rating.


The Good Wife (CBS)


Gains 33 percent to a 2.0 rating.


Source: http://feedproxy.google.com/~r/thr/news/~3/RcVDiBCruQ8/tv-premiere-weeks-dvr-winners-648780
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Vice President Biden welcomes back EPA workers with muffins (Los Angeles Times)

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Wait Until Dark: Theater Review




Michael Lamont


"Wait Until Dark"




The Bottom Line


Creaky suspense machine operates smoothly thanks to a well-lubricated refurbishment. 




Venue


Geffen Playhouse, Westwood (runs through Nov. 17)


Cast


Alison Pill, Adam Stein, Mather Zickel, Rod McLachlan, Matt McTighe, Brighid Fleming


Playwright


Frederick Knott, adapted by Jeffrey Hatcher


Director


Matt Shakman




Recently blinded Susan (Alison Pill, of The Newsroom) is first manipulated and then terrorized in her basement apartment by three con men searching for a lost doll of great value that had been unknowingly slipped to her absent husband. Insecure and not a little bitter, the vulnerable Susan must muster her resources to outmaneuver her tormentors, turn her disability to advantage, and survive.



This 1966 success by Frederick Knott (Dial M for Murder) originally starred Lee Remick and Robert Duvall under the direction of Arthur Penn (just before he started work on Bonnie and Clyde). It was filmed the following year with Audrey Hepburn (her last hit) and Alan Arkin, becoming a local theater staple, an early HBO canned version and a misbegotten 1998 Broadway revival with Quentin Tarantino. In short, this is a vehicle that has been around, with so many miles it might readily be consigned a junker.


PHOTOS: Exclusive Portraits of 'The Newsroom' Cast


It’s unclear why the Geffen would be so keen to put it back on the road, but they’ve gone about it intelligently by commissioning the incredibly prolific playwright and serial adapter Jeffrey Hatcher (Compleat Female Stage Beauty, A Picasso, Tuesdays with Morrie, Cousin Bette, The Government Inspector) to rejigger the engine and director Matt Shakman, invaluable founder of the eminent Black Dahlia Ensemble, to guide it round the track. The period has been transposed back to 1944 from 1966, given a wartime light-noir patina, and the brownstone relocated from the Lower East Side to Greenwich Village. In a sense, by positioning the setting as more antique, the story’s datedness becomes more palatable with the distance.


More interestingly, Hatcher and Shakman are unafraid to recognize that the plot machinations can be baldly apparent, so their take is not unlike those repurposed urban spaces that retain the visible industrial pipes and paraphernalia as a design statement. While the audience may well see some (or most) of the twists coming, that anticipation becomes a part of the thriller mechanism, adding a meta-tinge that lends some ersatz contemporary fizz.


PHOTOS: Broadway Musicals That Have Sung Their Way to the Big Screen


While television has mined most of its inspirations for innumerable episodics, Wait Until Dark remains unquestionably a sturdy construction, no longer surprising yet still satisfyingly tense, evergreen clever, with gratifying thematic undercurrents. Especially upfront, there is a surfeit of prolix exposition, which Shakman sagely keeps breakneck – even unto risking a missed point here and there. He has also loyally kept faith with longtime design collaborators, yielding a satisfying cohesive vision for the piece, with a terrific set and spot-on costumes. Nevertheless, for all the sumptuous mounting and the ingenious lighting gambits, one could still imagine it being nearly as effective as a radio suspenser, as heard by the heroine.


Susan remains a swell role (Remick was nominated for a Tony, and Hepburn for an Oscar), which the reliably talented Pill instills with a distinctive individuality. As the cunning, sadistic Roat, Adam Stein has fun with the hoarier conceits of impersonation and villainy, though his personal best moment on opening night was an improvised cover for a prop failure that lent an inadvertently nihilistic cast to the climax, serendipitously endowing him with a moment of anguished pathos.


Everyone else plays stoutly to type in a patented Forties manner that enjoyably never lapses into the overdone. (Mather Zickel, as the husband’s service buddy, is especially on-point as an ambiguous nice guy.) Unfortunately, the trademark violent shock of the final confrontation no longer has any traction after countless repetitions have reduced it to the show’s most expected trope.


Venue: Geffen Playhouse, Westwood (runs through Nov. 17)


Cast: Alison Pill, Adam Stein, Mather Zickel, Rod McLachlan, Matt McTighe, Brighid Fleming


Director: Matt Shakman


Playwright: Frederick Knott, adapted by Jeffrey Hatcher


Set designer: Craig Siebels


Costume designer: E.B. Brooks


Lighting designer: Elizabeth Harper


Music & sound designer: Jonathan Snipes


Source: http://feedproxy.google.com/~r/thr/reviews/theater/~3/KoJ_EmEc2eg/wait-dark-theater-review-649379
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Thursday, October 17, 2013

E! Orders 'Rich Kids of Beverly Hills' to Series



E! has picked up another aspirational unscripted series, ordering eight episodes of Rich Kids of Beverly Hills for a January 2014 premiere.



The reality show will follow five well-funded L.A. friends who have already achieved "social media infamy" by advertising their lifestyles on Instagram and Twitter. Beverly Hills, which has no relation to popular Tumblr Rich Kids of Instagram, comes to E~! from ITV Studios America in association with Leepson Bounds Entertainment.


“These kids are larger than life personalities who are charismatic, shockingly wealthy and born into lifestyles that are outrageously spectacular,” said E! programming and development executive VP Jeff Olde. “They live a fantasy life on a scale that you just can’t turn away from and then they document it all via social media.  But at the core, I think viewers will be drawn into the fact that they are genuinely good friends who still have to navigate friendships, relationships and life-- but they get to do it all in luxury cars, yachts and private jets, which is really fun to watch.”


The cable network is clearly angling for a strong social component in the new series, as each of the five participants -- Dorothy Wang, Morgan Stewart, Brendan Fitzpatrick, Roxy Sowlaty, Jonny Drubel -- has linked Twitter and Instagram handles in the order announcement.


David Leepson, Gennifer Gardiner and Doron Ofir serve as executive producers.



Source: http://feedproxy.google.com/~r/live_feed/~3/lCO4ihoviTE/story01.htm
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APNewsBreak: New charges in Blackwater shootings

FILE - In this Sept. 25, 2007 file photo, an Iraqi traffic policeman inspects a car destroyed by a Blackwater security detail in al-Nisoor Square in Baghdad, Iraq. The U.S. Justice Department has brought fresh charges against former Blackwater Worldwide security contractors over a deadly 2007 shooting on the streets of Baghdad. The jury indictment announced Thursday, Oct. 17, 2013 charges four men with voluntary manslaughter and other crimes. The case stems from the shooting of 17 Iraqi civilians. Blackwater security contractors were guarding U.S. diplomats when they opened fire at an intersection. Their lawyers have said the insurgents ambushed the guards. (AP Photo/Khalid Mohammed, File)







FILE - In this Sept. 25, 2007 file photo, an Iraqi traffic policeman inspects a car destroyed by a Blackwater security detail in al-Nisoor Square in Baghdad, Iraq. The U.S. Justice Department has brought fresh charges against former Blackwater Worldwide security contractors over a deadly 2007 shooting on the streets of Baghdad. The jury indictment announced Thursday, Oct. 17, 2013 charges four men with voluntary manslaughter and other crimes. The case stems from the shooting of 17 Iraqi civilians. Blackwater security contractors were guarding U.S. diplomats when they opened fire at an intersection. Their lawyers have said the insurgents ambushed the guards. (AP Photo/Khalid Mohammed, File)







FILE - In this Thursday, Sept. 20, 2007, file photo, Hassan Jabir lies in a hospital bed after he was wounded when guards employed by security company Blackwater opened fire at Nisoor Square in 2007, in Baghdad, Iraq. The U.S. Justice Department has brought fresh charges against former Blackwater Worldwide security contractors over a deadly 2007 shooting on the streets of Baghdad. The jury indictment announced Thursday, Oct. 17, 2013 charges four men with voluntary manslaughter and other crimes. The case stems from the shooting of 17 Iraqi civilians. Blackwater security contractors were guarding U.S. diplomats when they opened fire at an intersection. Their lawyers have said the insurgents ambushed the guards. (AP Photo/Khalid Mohammed, File)







FILE -In this Sept. 20, 2007, file photo Hassan Jabir, 37, recovers from gunshot wounds in a hospital in Baghdad, Iraq, received in his car in the Mansour neighborhood when guards in a U.S. State Department convoy opened fire, shooting him four times. The U.S. Justice Department has brought fresh charges against former Blackwater Worldwide security contractors over a deadly 2007 shooting on the streets of Baghdad. The jury indictment announced Thursday, Oct. 17, 2013 charges four men with voluntary manslaughter and other crimes. The case stems from the shooting of 17 Iraqi civilians. Blackwater security contractors were guarding U.S. diplomats when they opened fire at an intersection. Their lawyers have said the insurgents ambushed the guards. (AP Photo/ Khalid Mohammed/File)







(AP) — The Justice Department on Thursday brought fresh charges against four former Blackwater Worldwide security contractors, resurrecting an internationally charged case over a deadly 2007 shooting on the streets of Baghdad.

A new grand jury indictment charges the men in a shooting that inflamed anti-American sentiment in Iraq and heightened diplomatic sensitivities amid an ongoing war. The men were hired to guard U.S. diplomats.

The guards are accused of opening fire in busy Nisoor Square on Sept. 16, 2007. Seventeen Iraqi civilians died, including women and children. Prosecutors say the heavily armed Blackwater convoy used machine guns and grenades in an unprovoked attack. Defense lawyers argue their clients are innocent men who were ambushed by Iraqi insurgents.

The guards were charged with manslaughter and weapons violations in 2008, but a federal judge the following year dismissed the case, ruling the Justice Department withheld evidence from a grand jury and violated the guards' constitutional rights. The dismissal outraged many Iraqis, who said it showed Americans consider themselves above the law. Vice President Joe Biden, speaking in Baghdad in 2010, expressed his "personal regret" for the shootings.

A federal appeals court reinstated the case in 2011, saying now-retired Judge Ricardo Urbina had wrongly interpreted the law.

Prosecutors again presented evidence before a grand jury, and U.S. District Judge Royce Lamberth gave the Justice Department until Monday to decide what to do with the case.

The defendants include Dustin Heard, a retired U.S. Marine from Knoxville, Tenn.; Evan Liberty, a retired U.S. Marine from Rochester, N.H.; Nick Slatten, a former U.S. Army sergeant from Sparta, Tenn., and Paul Slough, a U.S. Army veteran from Keller, Texas.

Slatten is charged with 14 counts of voluntary manslaughter and 16 counts of attempt to commit manslaughter; Liberty and Heard are charged with 13 counts of voluntary manslaughter and 16 counts of attempt to commit manslaughter; and Slough is charged with 13 counts of voluntary manslaughter and 18 counts of attempt to commit manslaughter. All four were also charged with one count of using and discharging a firearm during and in relation to a crime of violence.

They were charged under the Military Extraterritorial Jurisdiction Act, a statute that allows the government to prosecute certain government employees and contractors for crimes committed overseas. Defense lawyers have argued that statute does not apply in this case since the guards were working as State Department contractors, not for the military.

Heard's lawyer, David Schertler, said in an email he was disappointed with the prosecution, which he believes has no merit.

"We will continue to fight and defend Dustin Heard's innocence and honor until he is fully exonerated," he said.

Lawyers for Slough and Slatten declined to comment. Liberty's lawyer did not respond to requests for comment.

In a statement, U.S. Attorney Ronald C. Machen Jr. said the prosecution "demonstrates our commitment to upholding the rule of law even in times of war and to bringing justice to the memories of those innocent men, women and children who were gunned down in Baghdad more than six years ago."

Prosecutors last month agreed to dismiss their case against a fifth guard, Donald Ball, a retired Marine from West Valley City, Utah. A sixth guard, Jeremy Ridgeway of California, pleaded guilty and is awaiting sentencing.

The Justice Department had earlier dropped Slatten from the case, but after the appeals court decision reinstated the prosecution, the government said he remained a defendant.

The company formerly known as Blackwater Worldwide is under new ownership and is now headquartered in Virginia. It had changed its name to Xe Services, but the company was sold to a group of investors who then changed the name to Academi.

Blackwater founder Erik Prince is no longer affiliated with the company.

In moving forward with the case, the government will seek to overcome some of the legal problems that have dogged the prosecution. The case ran into trouble because the State Department promised the guards that their statements explaining what happened would not be used for criminal prosecution. The guards told investigators that they fired their weapons, a crucial admission. Because of a limited immunity deal, prosecutors had to build their case without those statements, a high legal hurdle. In dismissing the case, Urbina said prosecutors had read the statements, reviewed them in the investigation and used them to question witnesses and get search warrants.

Court documents also reveal conflicting evidence, with some witnesses saying the Blackwater convoy was under fire and others saying it was not.

___

Follow Fred Frommer on Twitter: http://twitter.com/ffrommer and Eric Tucker at https://twitter.com/etuckerAP

Associated PressSource: http://hosted2.ap.org/APDEFAULT/89ae8247abe8493fae24405546e9a1aa/Article_2013-10-17-Blackwater%20Prosecution/id-90840361ffc2491f9aa926cd0ceb8ae6
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Thursday Morning Political Mix


Good morning.


The newspapers hit the front porch this morning with a familiar thud. (Yes, some of us still like the feel of paper in the morning.)


"SHUTDOWN ENDS" shouted The Washington Post.


"REPUBLICANS BACK DOWN, ENDING BUDGET CRISIS" The New York Times intoned.


And online (yes, some of us also like the morning glow of our devices), the post-shutdown/debt crisis postmortems were piling up like so many pages of regulations in the Affordable Care Act.


But first, the details, quickly:


  • Congress, with alacrity, late Wednesday passed a debt and spending bill that Obama signed shortly after midnight today. Here's a breakdown of the 285-144 House vote.

  • Federal workers, about 450,000 of them, were expected to be back at their jobs today, joining the 1.3 million who worked during the 16-day shutdown.

  • And the U.S. government is funded through Jan. 15; its borrowing capacity raised through Feb. 7. A good Washington Post Q&A helps sort out the deal's details.

Now, to the fallout.


First, a right hook from conservative radio talker Rush Limbaugh. He's in the small but vociferous camp critical of Republican leaders for not continuing the doomed shutdown/default brinksmanship. Here's what he had to say:




"And what they've ended up doing is creating one of the greatest political disasters I've ever seen in my lifetime, simply because they failed to show up" Limbaugh said. "Then when they finally did make a play of showing up, they didn't have the guts to stick with it."




There's more of that out there from the Tea Party wing of the GOP, including Republican Sen. Ted Cruz of Texas, who led the insurgents' failed effort to link Obamacare defunding to the budget deal. He turned on his own party colleagues in the Senate, telling conservative radio host Mark Levin that Senate Republicans blew it when they "didn't stand united alongside House Republicans."


But the preponderance of commentary from Republicans, and conservative Republicans, is far different.


Kevin Williamson, writing for the conservative National Review, says he sees one overarching lesson from the manufactured crisis: Want to win the big government arguments? Nothing beats a majority. Win gains in the Senate, take the White House and then govern.


Here's Williamson: "For all the counterfactuals — 'If only my guy had been the nominee,' 'If only a Republican would make this speech,' 'If only my pet constitutional amendment with zero chance of passing would be submitted nonetheless,' 'If only my magic-bullet tax plan would be adopted,' etc. — the lesson of the shutdown showdown is that there really is no substitute for winning. Job No. 1 is ensuring that the Democrats control no larger a share of Senate seats than they do of state legislatures. That, and the long, dreary business of responsible governance."


At the American Spectator, Ross Kaminsky's piece carries this headline: "For serious Republicans, yesterday's agreement couldn't have turned out worse." He calls on GOP Rep. Paul Ryan of Wisconsin to take the lead in coming budget negotiations and urges Republicans to let Obamacare continue its "inevitable collapse."


"Obamacare will tell its own sad story," he says, "letting it do so is the best way for American voters to hear the story in a way they will believe."


And Kaminsky, who respectfully called out conservative groups like Heritage Action for pushing the doomed no-compromise strategy, urges Cruz to "play along" with Senate Republicans — good luck on that — and says House Republicans must try to regain "some standing, some moral authority, a public sense of being something more than a bunch of undisciplined radicals."


And, finally, New York Times columnist Ross Douthat held nothing — or little — back in his late-night blog post, "A Teachable Moment." Douthat, co-author of Grand New Party: How Republicans Can Win the Working Class and Save the American Dream, decried what he characterized as the mentality that drove the shutdown "a toxic combination of tactical irrationality and the elevation of that irrationality into a True Conservative (TM) litmus test" and its persistence. And he warned party populists about the peril of pulling "this kind of stunt again."


Here's Douthat: "So for undeluded conservatives of all persuasions, lessons must be learned. If the party's populists want to shape and redefine and ultimately remake the party, they can't pull this kind of stunt again. If the party's leadership wants to actually lead, whether within the G.O.P. or in the country at large, they can't let this kind of stunt be pulled again. That's the only way in which this pointless-seeming exercise could turn out to have some sort of point: If it's long remembered, by its proponents and their enablers alike, as the utter folly that it was."


We'll give the last word to the ever entertaining, like him or not, Barney Frank, the former longtime Massachusetts congressman.


House Republicans, he muses, must be smoking something. "One of the causes that I've been pushing is to legalize the smoking of marijuana by adults instead of locking them up," he said during an appearance on MSNBC. "And apparently that may be more widespread among the Republican House members than I had thought, because that's the only explanation I can think for this particular extreme mellowness that they are [showing]."


Also worth a read, the Wall Street Journal's Gerald Seib, on whether the point Republicans made was worth the price.


In other news, Newark Mayor Cory Booker, 44, a Democrat, was easily elected to the U.S. Senate Wednesday, becoming the first black senator from the Garden State. He'll be one of two African Americans in the upper chamber.


His morning after tweet: "Have great dreams & bold ambition but never forget that the biggest thing you can do in any day is a small act of kindness, decency or love."


Source: http://www.npr.org/blogs/itsallpolitics/2013/10/17/236169038/thursday-morning-political-mix?ft=1&f=1003
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Angry Nerd</em>: Need an Idea for a TV Show? Just Steal a Classic Story!

Angry Nerd: Need an Idea for a TV Show? Just Steal a Classic Story! | Underwire | Wired.com










Hunky time-traveling Ichabod Crane has made Chris Baker lose his head. Why is every other TV show an updated version of some classic fairytale or children’s story?

















 


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